The P10Q Jensen speakers are more able to manage stronger electrical input power and generate better "clean" output sounds than previous installed P10R Jensen speakers.
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Similar preamp changes were also incorporated in the 5F8 Twin Amp at about the same time, but not on other large size Fender amps.
During 1958, Fender introduced the model 5F6-A Bassman model.
Several Bassman models were progressively influenced by the 5D6 through the last Fender Tweed 5F6-A Bassman's circuit design.
The 5F6-A Bassman's design was directly copied by Marshall Amplifiers within their JTM-45 amplifier during the early 1960s. The first series of the reissue were made at the Corona, California facility, and came equipped with four Eminence-made 10" blue frame Al Ni Co speakers, and a solid state rectifier unit.
This final 1950s Tweed Bassman model product line included a change from the 83 mercury vapor rectifier tube to the GZ34 rectifier tube, as well as a modification within the Presence control circuit.
During early 1960, Fender began producing the 5F6-A Bassman with Jensen P10Q speakers.
The 6G6 model was covered in rough Blonde colored Tolex material with Oxblood colored grill cloth.
It had a single GZ34 rectifier, two 5881/6L6GC power tubes and four 12AX7 preamp tubes.
The 5D6 was a major departure from the earlier 5B6 Fender Bassman model.
Designed by Freddie Tavares, longtime R&D man at Fender, Instead of the single 15" speaker, four 10" Jensen Alnico P10R speakers were used.
Later on, production was moved to Ensenada, Baja California, and the model name was altered to "59 Bassman LTD".